25 Years of Rubiks

I’ve only owned a single Rubiks Cube throughout my entire life, and in the 150 some odd years I’ve owned it, I have never completed it. Sure I can get a side here or there, but to get each side totally the same has been an impossible task. I’ve reverted to peeling stickers off just to make it work, but truly and honestly, I am not a Rubiks master. To celebrate the 25th anniversary of this torturous game, a new series of ads have been released which portray my exact plight…had I actually spent year after year trying to complete the damn thing. Very humourous and imaginative, but I won’t be dusting off my Rubiks anytime soon.

Rubiks Cube, rubiks puzzle, cube puzzle, puzzle toy, advertising, ad, print ad

The Tribeca Development

Why are we so hard on architects? I’ve never designed a building, so I suppose that should instantly disqualify me as an authorized critic. Even so, as an appreciator of all things artsy, my subjective views of new buildings is still relevant, and ultimately unsullied by formal training, or the clutches of any official status. Although we’ve featured numerous hits and misses, it seems as though new architecture geniuses are few and far between, as it all seems to be the same. This makes it all the more sweet when we come across something that is a true diamond in the rough, such as the Tribeca Development. Alison Brooks Architects have designed three buildings for the “Tribeca” development in Liverpool, which will act as a ‘beacon’ at the prominent corner of Great George Street and St James Street. The buildings will be a combination of 93 apartments and colonnaded commercial space at street level.

Tribeca Development, Alison Brooks, St James St, Urban Splash, shedkm, Riches Hawley Mikhail, querkraft

Property Developer Urban Splash invited four architects to work with them on the project: Liverpool’s shedkm, London-based Alison Brooks Architects, Riches Hawley Mikhail, and Austrian practice querkraft. Urban Splash revealed earlier this year that its development will be called Tribeca. It will be the largest residential scheme in the city to date with over 700 new homes being created. The site forms three distinct triangles, so Urban Splash put the phrase together “Triangles Beneath Cathedral” to create Tri-be-ca, Tribeca. It echoes its famous New York counterpart which was named because the area was made up of a series of triangular sites which sat beneath Canal Street.

Tribeca Development, Alison Brooks, St James St, Urban Splash, shedkm, Riches Hawley Mikhail, querkraft

Mowercycle

As a new home owner, I’ve been faced with a lot of purchases lately, one of which was a lawn mover. In light of carbon neutrality, sky high fuel prices, and a desire to be old school, I opted for a human-powered push reel lawn mower. The same kind your dad had to use to cut 45 acres, up hill both ways, in scorching conditions for penny wheels and moonpies. I should have held out for the Mowercycle! Is this an awesome DIY design or what? This ingenious bicycle-lawnmower fashioned by an unknown suburban lawn owner out of an old bicycle and a broken lawnmower, is a testament to the creativity of the human spirit. Spotted in dot dream’s flickr stream, we have no idea who the original photographer was, nor do we know anything about the owner/designer of the Mowercycle. All we know is that it is awesome and should be an inspiration to sustainable design fans and DIY tinkerers everywhere.

Mowercycle, bicycle lawn mower, bike mower, human powered mower, environmentally friendly mower, gas free mower

The Dark Knight’s Viral Campaign

If you’ve been living under a rock, you probably haven’t heard of the Dark Knight’s viral advertising campaign. Following Christopher Nolan’s rebirth of the Batman franchise, the recently released Dark Knight sequel has received all the right press, but in the early days it was for all the wrong reasons. Back in September, Conway Wickliffe, a special effects technician died on the set during a critical stunt sequence. Just after filming had wrapped, Heath Ledger, who plays the darkest version of the Joker we’ve ever seen, passed away of an apparent drug overdose. His death served as a morbid jolt for the marketing department, as many speculated that Heath became obsessed and troubled by the character he recreated, which ultimately led to his prescription drug (mis)use and untimely death. This fueled the marketing machine, which created a major viral campaign around the insane villain. The ultimate goal of the viral campaign was to make fans feel as though they were citizens of Gotham, trapped in the crossfire between a raving lunatic, and impotent police force.

Dark Knight, Batman, viral advertising campaign, viral ad, online advertising, online viral ad

Numerous websites were launched to tease fans, including: the Joker’s personality profile, Gotham Police, Gotham National Bank, and Remembering Gina. Although all of these are worth a look, the best was The Ha Ha Ha Times, which portrays a newspaper that’s been doodled on, representing the deranged thoughts of Batman’s newest nemesis. Our ultimate favorite in the Dark Knight viral campaign was a cake, which when delivered, had a cell phone hidden inside. When the recipient called the number indicated included, they were greeted by a receptionist from Rent-a-Clown who thanked them for their support, and asked that they keep their cell phone charged at all times. This gave fans the feeling that they would have to be ready to respond to the Joker’s random taskings at any time. Awesome fan immersion, and the film truly lives up the hype!

Dark Knight, Batman, viral advertising campaign, viral ad, online advertising, online viral ad

2010 Athletes’ Village in Vancouver

Seems like everywhere we turn these days there’s green news on the Olympic front. HC2 has written about the London 2012 Olympics stadium, and commented on the greening of the upcoming Summer Olympics in China. Even as the 2008 Summer Games have yet to start, the 2010 Winter Olympics are making headlines with the intent to become the green envy of eco-minded Olympic planning committees everywhere. Much to our delight, the 2010 Winter Olympics Athletes’ Village will be built to a remarkably high level of sustainability and meet the LEED standards. The 2010 Winter Olympics will be the third Olympics hosted by Canada, taking place in Vancouver where both the Olympic and Paralympic Games will be organized by the Vancouver Organizing Committee. There will be two Olympic Villages: one in Vancouver’s Southeast False Creek area (Vancouver Olympic and Paralympic Village), and the other one within the scenic Cheakamus Valley (Whistler Olympic and Paralympic Village).

2010 Athletes’ Village, 2010 Olympics, Vancouver Olympics, athletes village, false creek, paralympic village

The Vancouver Olympic Village in the Southeast False Creek area will be completed during the first phase. The village will have 16 buildings constructed on an area of 1.4 million square feet, and a community center. All the buildings will be built to LEED Gold standard and the community center will be built to LEED Platinum. All of the buildings will be fitted with solar panels and feature green roofs. Rain water will be harvested and be used for the irrigation of the green roofs and landscaping. In-slab hydronic system will be used for heating and cooling of the buildings, and the latent heat of sewer pipes will be harnessed by an innovative heat exchange system. All parking will be underground, and plans are afoot to achieve water neutrality as it will collect as much rain water as it uses.

2010 Athletes’ Village, 2010 Olympics, Vancouver Olympics, athletes village, false creek, paralympic village

The two villages will be connected through latest and state-of-the-art communication technologies, and athletes will travel conveniently between the two. The Vancouver Olympic and Paralympic Village will have the capacity to house 2,100 athletes and officials; and the Whistler Olympic and Paralympic Village will accommodate 2,400 athletes and officials. After the games the villages will serve as valuable legacies, and will be developed as models of sustainable community and sustainable living. Go Canada!

Octopied Building

Today’s find is very amusing, and really requires no explanation. But in an effort to boost our keywords into the stratosphere, the “best design blog in the world” will provide our take on the Octopied Building. Filthy Luker, in collaboration with Pedro Estrellas have created a new site to behold in France, which relies on the inner child in all of us. By affixing inflatable green tentacles to a stunning historic building, they’ve created the illusion of a monster that could burst free an any moment. This is one of many unique and humorous public installations by Filthy Luker whose deviatART portfolio is definitely worth a moment of your time.

Octopied Building, octopus tentacle, building, skyscraper, inflatable tentacle, inflatable monster, Filthy Luker, Pedro Estrellas

Public Farm 1

Way back in April 2007, we unveiled a radical new idea that would transform skyscrapers into vertical agriculture land. The benefit of layering farms in this format minimizes the footprint of a given farm, thereby allowing for more usable green space. Additionally, it shortens the distance between cities and mass cultivators of produce. This idea of greening the urban environment was the boldest concept of 2007, which has overshadowed other projects that aren’t as exciting or grand. That said, when I came across Work AC’s Public Farm 1 (PF1), I couldn’t help but get excited about a project that actually exists, and is more than flashy renderings. A time lapsed video shows the construction process that took about month to complete, from May 15th to June 18th at the PS1 Gallery at Museum of Modern Art (MOMA) in New York City.

Public Farm 1, community farm, community garden, SP1 Gallery, Work AC, New York City, NYCMuseum of Modern Art, MOMA

The structure itself is comprised of a sloped formation of construction grade cardboard tubes, which house 6-foot columns of soil for growing crops in NYC. Some “picking” tubes were intentionally left empty, so to allow access to the surrounding growing tubes, which are seeded with everything from herbs to strawberries, and pumpkins. Equipped with irrigation, the urban farm concept was built with inexpensive and sustainable materials recyclable after their use at PF1, including swings, fans, sound effects, innovative seating areas, and a refreshing pool at its center. Thus, in addition to biodiversity, the farm also serves as the social gathering place du jour, where people in the know can meet up and enjoy a variety of musical and artistic performances all summer long.

Public Farm 1, community farm, community garden, SP1 Gallery, Work AC, New York City, NYCMuseum of Modern Art, MOMA

CEA Cadarache Research Center

The only thing better than eco-tecture, LEED certification and green building initiatives is when the structure is actually green in colour. Architect Juan Herreros recently won 2nd place in an international competition for the construction of the CEA Cadarache Research Center. Defending his rather box-like design, Herroros argued that long buildings reduce the impact of construction in order to keep the forest density. I for one am not totally sold on that argument, nor do I think that crystal clear renderings of the Centre give a fair portrayal of the impact construction really has. Buildings can create runoff, require the displayment of flora and fauna.

CEA Cadarache Research Center, Juan Herreros, CEA, cadarache research

According to the Herreros, the “deployment strategy is compromised to build without altering the conditions of the forest, to inhabit the forest without violence creating a symbiotic architecture with its microclimate and its density. To do so, we are disclaiming to open large breaks on the continuity of natural cycles and are proposing to build linear buildings of optimum and constant width that occupies corridors from which have been lifted only the required trees, allowing the maximum proximity of the remaining facades. The original density of the forest will always be present and architecture appears filtered through the foliage.” Again, although the idea of being nice to mother nature is grand, I think it’s impossible to build without impacting your surroundings.

CEA Cadarache Research Center, Juan Herreros, CEA, cadarache research

Anzevino and Florence Tees

Twenty years ago, I was one of many kids who begged their parents for a coveted Hypercolour t-shirt. Since my parents are huge softies, they made my wish come true, allowing me to go to school and be cool by being just like everyone else. Strange how being cool is all about fitting in, as kids used to check what sort of jeans their peers were wearing, or what scent they’d spritzed on. Do they still do that nowadays? Personally, I think that kids had it way better way back when I was coming up. Saturday morning cartoons, roller rinks, arcades, and movies that made you use your imagination. Being cool nowadays seems much more expensive, and difficult to pinpoint with all the trends kids follow, and the over-marketed influences they’re exposed to. Then again, I did go out and buy Super Mario Brothers 3 immediately after seeing Wizard, starring Fred Savage.

Anzevino, Florence Tees, T-Shirt, clothing, hyper colour, hypercolour, colour changing shirt, AZFN

It’s ridiculous how old I sound in that pseudo-rant, but to prove to you that I am still young at heart, I had to feature a throw back to my youth. Anzevino and Florence (AZFN) tees are the new, old school way to be cool. From tank tops to tees and even scarfs, you too can pretend that your mom bleached your shirt if only for a few minutes. In case you have no idea what hypercolour is, they are garments that react to temperature changes, most notably touch. Although the old one’s never stood up well to the washing machine, I hope that AZFN has tried to improve that. Is this the start of a comeback of the 80′s? First Nike finally releases the much awaited Marty McFly shoes, and how hypercolour-esque gear is back in the limelight? What’s next? My money is on hoverboards, McDonald’s Pizza and a sequel to The Monster Squad. Long live the 80′s!

Anzevino, Florence Tees, T-Shirt, clothing, hyper colour, hypercolour, colour changing shirt, AZFN

Sneaker Wars

I created this awesome, hilariously witty commentary on the futile battle between sneaker pimps Nike and Adidas, but low and behold, it vanished without a trace. The story documented both companies foray into “fringe” sports, endorsement deals, and their pursuit to conquer East Asia. Not by sweatshops, but rather by focusing on China, which is fast becoming a white hot market for both Nike and Adidas. So, the long and the short of the first paragraph also included something about Nike opening up a 13,000 square foot retail outlet in China back in 2007, which was at the time the sporting giants largest store. But in an effort to be competitive, Adidas followed suit with their own new mega-store.

Nike vs Adidas, Nike shoe, Nike shoe store, Nike store, Adidas shoe, Adidas shoe store, Adidas store, China, Beijing, East Asia

Nearly equal in size, the new Adidas shop opened up earlier this month, just in time for the Olympics. The store is much more impressive than the re-skinned brick building that Nike calls home, as it’s glass and black panelled facade make it seem larger than life. Inside, patrons can try out technologies that were typically reserved for star athletes, which help gauge body type and performance abilities, thereby matching consumers with the right gear. Adidas plans on saturating the market with 2,300 new stores in China, to be completed by 2010. Whether you prefer the swoosh or the three stripe is up to you. We just hope things don’t go all “Jenifer Government” in the near future.

Nike vs Adidas, Nike shoe, Nike shoe store, Nike store, Adidas shoe, Adidas shoe store, Adidas store, China, Beijing, East Asia

What the Font?

This one is for the designers out there. Have you ever been inspired by a font, or needed to replicate a logo but found yourself fontless? Although free fonts can be found everywhere, oftentimes we find ourselves faced with the option of purchasing fonts that are otherwise unavailable. Well those days are over thanks to What the Font, a service that will help identify and find nearly any font on earth. Simply upload a scanned copy, or image file of any font you want to use. From there, What the Font identifies and helps locate the mystical Times New Roman avec Super Serif. It’s the sort of software that makes sense. Wish I could say the same for Vista.

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Styrobots

Saturday morning cartoons are flooding back into memory today, as we explore the artistry of Michael A. Salter. Sure the new live action Transformers movie rocked, but the old school version will always have a place in my heart, no matter how cheesy the animation is in comparison to todays standard. So rather than throw away all those bits of styrofoam, Salter created massive Transformer-esque like figures, which are playfully inventive. Sure they aren’t true to the original characters, but they are nevertheless wonders to be seen. In fact, I think it’s better that Salter created his own beings rather than simply replicate the standard Optimus Prime and Megatron characters.

Styrobots, Michael A. Salter, Michael Salter, Styrofoam robot, Styrofoam sculpture, transformers, Megatron, Optimus Prime

Surprisingly, these bots have toured galleries around the world, and we just discovered them the other day. I imagine transporting these beasts from exhibition to exhibition is a delicate and expensive process. I mean, do they pack them in cement, which is the opposite of Styrofoam? Yeah, you see what I did there, I reversed reality. It’s like bizarro world, where up is down and red tastes like blue. With bots ranging from 18 inches to 22 feet in height, Styrobots will make most of us feel like a kid again. They also remind us that we are puny weaklings, who would be crushed by the ruling fist of mechanized rulers. Long live the resistance, even though our efforts are futile.

Styrobots, Michael A. Salter, Michael Salter, Styrofoam robot, Styrofoam sculpture, transformers, Megatron, Optimus Prime

Toyota Prefab Homes

The Toyota Homes unit accounts for 0.5% of the company’s $262 billion in annual sales, while the auto maker would like to beef that up a little bit. With the roll-out of the plug-in hybrids beginning in 2010, Toyota would like incorporate their environmentally-friendly, prefabricated homes. According to the Wall Street Journal, Toyota Homes are built from six or more modules in under 45 days. They have a conservative home model called the Smart Stage that sells for $200k. It’s a 1,000 square foot, two-story home. There’s also a more expensive, custom-built 2,600 square foot home that sells for around $800k. Toyota Homes are strong and guaranteed for about 60 years, which is twice the average lifespan of a home in Japan. As you might imagine, homeowners must be Toyota car owners.

Toyota Prefab Homes, Toyota Homes, Smart Stage, modular housing, prefab housing, sustainable home, Prius

The company sold 5,000 homes in 2006, which was reduced to 4,600 homes in 2007 due to the housing slump. But what’s interesting about that number is that it shows how effectively homes can be manufactured using the same techniques that are used in the auto industry. And the Toyota Homes unit is profitable, too. That’s some pretty incredible scale, if you ask me. Plus, imagine the purposeful relationship of a plug-in Prius, Toyota Home with solar panels, and technology that charges the car during off-peak hours. If you can do this, you’re not only going to stick it to the oil man, but you’re going to stick it to the coal man, natural gas man and so on. I like the sound of saving money.

Toyota Prefab Homes, Toyota Homes, Smart Stage, modular housing, prefab housing, sustainable home, Prius

Gorge Grown Farmers Market

Tis the summer after all, and we haven’t been focusing on that enough. I suppose one can forget with the wild temperatures we have been experiencing in Canada. Just last summer I was drinking beer and having cold showers in my personal quest against buying an air conditioner or paying for the associated hydro. In any case, summer is the growing season, and for most of us it is also the grilling season. What better way to laud local produce at your farmers market than over sized carrots and shish kabobs for your car’s antennae. That’s exactly what Owen Jones & Partners did for the Gorge Farmers Market, which is located in small town USA. Don’t ask us which one, because we don’t know.

Gorge Grown Farmers Market, farmers market, Owen Jones & Partners, Gorge farmers market, advertising, ad installation

Roman Laurent

Hello reader. Today I’m introducing a photographer who needs no introduction. Although you may not be familiar with his name, you have probably seen his work, as he is a big wheel down at the cracker factory. In that respect, he’s made his living churning out cutting edge photo manipulations for the wonderful world of advertising. Roman Laurent was born in 1983, and studied design in Paris. He has a direct instinct for the realization of contemporary themes and complex urban scenarios. The highly refined and sophisticated narrative form of his approach to photography has made him a major stylistic influence as the representative of a generation of young photographers.

Roman Laurent, photography, photo, surrealism, surreal photo, staged photo, funny photography

Yet again, this is a great example of art that effortlessly starts a dialog on so many different levels. His picture depicting a crammed subway door is humorous, and amazing to look at, but it also tells a story of overpopulation and the urban rat race. Laurent’s new take on the Matryoshka doll also caught our eye. Again, although simple on the outermost layer, discussions about the piece lead to much deeper dialog concerning the layers of the human psyche. It’s no wonder Citroen and Microsoft were banging on his door to get him to work on their campaigns.

Roman Laurent, photography, photo, surrealism, surreal photo, staged photo, funny photography

Jerico Santander

The marriage between technology and creativity has led us into the world of digital art. The line between virtual reality and reality is often blurred, and has simultaneously opened up the gates to a new form of art that espouses digital media. Jerico Santander is a Spanish illustrator and digital artist who beautifully represents the inventive world of post digital media. Santander possesses a portfolio bursting with vibrant, dreamlike essence, which we first discovered back in our the DeviantArt days. Spilling layers of aesthetic appeal to every image he toils with, his use of salient color combinations, artistic composition and elegant originality are amazing.

Jerico Santander, DeviantArt, Spanish design, surrealism, surreal art, modern contemporary, painting, digital design

Regarding the ample dose of surrealism in his work, Santander states: “the “randomness” in life makes me smile; that’s why I like surrealism. Some ideas I think about before I start working on them, other times while I’m working on a piece the idea just makes its way onto the page. I don’t really notice what I’m doing until I come in the next day and see what I have created. I do think it is best to first start with a sketch outlining the main ideas, then later you can simply add “little stories” while crafting the finished product.” I for one am curious about the little stories behind a lot of his work.

Jerico Santander, DeviantArt, Spanish design, surrealism, surreal art, modern contemporary, painting, digital design

2,663 Urban Tumbleweed Project

We are always hunting high and low for innovative ways to reduce and reuse the plethora of plastic bags in our midst. The New York-based design firm, MSLK, is currently proposing an innovative and creative way for concerned citizens to link together “2,663 bags” – the alarming amount of bags consumed every second in America – by having folks donate their unwanted plastic sacs to the 2,663 Urban Tumbleweed Project. The jetsam and flotsam of modern life can now be used to visualize just how crucial it is to curb our consumption and laissez-faire attitudes towards the ubiquitous plastic bag.

2,663 Urban Tumbleweed Project, urban tumbleweed, plastic bag, MSLK, Burning Man, ban plastic bag

It is no surprise that free floating plastic bags are often referred to as “urban tumbleweeds” in our city neighborhoods because of their weed-like, drifting quality. Recall the scene from American Beauty where Kevin Spacey’s drug dealing neighbor is filming a plastic bag floating around? In any case, MSLK’s art installation proposes to hand-tie all collected bags together in a chain made out of 2,663 linked plastic bags – a visualization of only 1 second of bag consumption in the States. The design group states, “By visually translating current statistics, the installation brings awareness to our society’s mindless over consumption and the severe environmental impacts.” Put on display at Burning Man 2008, and a variety of other events in the near future.

2,663 Urban Tumbleweed Project, urban tumbleweed, plastic bag, MSLK, Burning Man, ban plastic bag

Dan Mumford

Day in and day out, HC2′s Design News rants and raves about some new designer, architect, or technological gadget that everyone is, will, or should be talking about. Although today is no exception, I honestly can’t stress the magnitude of talent that is oozing out of this find. Regular readers will know that we are huge fans of illustrators whose interests and influences span a much broader range than fine artists or even comic book creators. Dan Mumford’s work falls into it’s own category not because of his style, but because of it’s unparallelled quality. Dan’s work has a timeless quality to it. There’s clearly inspiration drawn from the 1920′s, 70′s and yet his work still feels cutting edge. Don’t take my word for it, take a look for yourself.

Dan Mumford, graphic designer, pen and ink, graphic illustration

Name dropping aside, Mumford has worked with many artists in the music industry on products ranging from CD covers to event posters. Regarding collaborating with clients on designs (something HC2 refers to as “the process”), Mumford says: “we throw ideas backwards and forwards, I draw some sketches up and we decide on the route that the project should take, generally there’s at least a week or two of solidifying an idea. I don’t like to work on anything until the client knows what to expect, otherwise you can end up wasting a lot of time. Following the decision on where the project should go, I’ll start drawing stuff up and keep the client updated throughout the process all the way to the finished product.” We love Mumford’s style so much! Check out his portfolio for a closer look.

Dan Mumford, graphic designer, pen and ink, graphic illustration

AirPiano

When I saw the word AirPiano, the first thing that came to mind was air guitar. Afterwards, visions of my friends in their acid washed demin, head banging to White Snake flooded in. Seriously though, I didn’t hang out with anyone who listened to White Snake. Back on track, AirPiano is another amazing musical interface that recently caught our eye. The device consists of a long bar, which the user interacts with by placing and moving their hands on top of. Hence no keyboard or piano experience is required to make sounds from a variety of instruments, which are all driven by software. Having seen the Reactable in use at a Björk concert last Summer, the AirPiano doesn’t seem as thrilling. That said, it’s size gives it definite potential for widespread use. Be sure to check out the video demo.

Air Piano, digital piano, touch free piano, hands free paino, futuristic instrument, futuristic piano

Solar Collector Sculpture

Who could have predicted this? Environmentally friendly and sustainable energy components are the way of the future, and by the looks of it, the newest inspiration for a number of art pieces. Constructed atop a sun-drenched hill, Gorbet Design’s Solar Collector sweeps the skyline as a gracefully ascending corona of light-laced beams. The interactive installation serves as a conduit for both solar energy and creative input, soaking up sunlight and simple web-based controls throughout the day. Upon nightfall the installation synthesizes its stored reserves into a glimmering light show. Situated at the Waterloo Regional Operations Centre, the installation is composed of 12 illuminated shafts arranged in a graceful curve. The angles of each shaft reflect the angles of the sun throughout the year, with the tallest perpendicular to the sun during Winter solstice, and the lowest aligning with the Summer solstice.

Solar Collector Sculpture, Gorbet Design, Waterloo Regional Operations Centre, Solar Collector, solar art, sustainable art, art installation

During the day a set of solar panels provide the sculpture with energy, while the Solar Collector’s website stores interactive input for the evening’s performance: “Using simple web-based controls, members of the community compose wave-based patterns that flow across pulsing lights that are spaced along the shafts. At dusk, Solar Collector comes to life with the patterns created that day.” As graceful as the shape is, it also resembles more rigid forms such as the sharp quills of a porcupine, or skeleton of massive winged-machine. Get used to it, solar sculptures are becoming the flavor of the month, but do they really promote sustainable energy? Is this simple an attempt to green wash?

Solar Collector Sculpture, Gorbet Design, Waterloo Regional Operations Centre, Solar Collector, solar art, sustainable art, art installation

Antro Solo

It has been far too long since we last featured something innovative from the automotive world, but too be honest there really hasn’t been a whole hell of a lot to get excited about. The wait is over, and surprisingly this new design comes from Hungary, a country not known for their automotive artistry. If the creators of the Antro Solo have their way, the country will be synonymous with the term “green machine” by 2012. The Antro Solo is a solar, human and gas-electric hybrid vehicle. It looks like nothing else on the road, and has a fuel efficiency of more than 150 miles per gallon. Before we unveil anything more about the car, keep in mind that the price tag is a cool $20,000 (USD). Not bad in comparison to other hybrids on the road, but then again, this isn’t your average run of the mill hybrid. It’s the green machine.

Antro Solo, solar car, gas electric car, gas electric hybrid, concept car, carbon fibre car, Hungary

The Antro Solo is a three seat gas-electric hybrid prototype made entirely out of carbon fibre. This material choice allowed the graphic designers to lower the weight of the vehicle to a measly 270kg. This also allowed them to achieve phenomenal fuel efficiency and a pretty decent top speed of 87mph. All of this is impressive enough, but the Solo’s designers were not content to stop there. In order to maximize the efficiency of the vehicle, the designers installed solar panels on the roof. These solar panels store energy in the car’s batteries which can be used for short 15-25km trips. If there hasn’t been enough sun to power the batteries, each passenger’s seat comes equipped with pedals that can power the vehicles generator. If you are by yourself, or everyone gets tired, the car can switch to its small combustion engine that is capable of running on petrol or ethanol.

Antro Solo, solar car, gas electric car, gas electric hybrid, concept car, carbon fibre car, Hungary

LED Turn Signal Bike Jacket

Save for the fact that most cities do not have proper bike lanes, cyclists in Canada still have it pretty good in comparison to those commuting in other countries. That said, it sometimes boggles my mind when I hear about a near miss, or even worse, a tragic accident involving a cyclist. Although not every accident can be avoided, I’ve often thought about what we can do to make it safer on the streets. Going back to streets without bike lanes, I thought the solution has to be integrated into the equipment already existing on your standard bike. Then I came across Leah Buechley’s step by step guide to creating your own LED turn signal bike jacket. The design is the perfect way to add some technological savvy to your safety gear. Using buttons on each sleeve, the wearer can activate the turn signals, and even put it in a strobing night time mode. Get out the soldering gun and make your own! Check out the YouTube demo.

LED Turn Signal Jacket, safety vest, bike vest, cyclist vest, cycling safety, futuristic bike safety, DIY LED project

Earth House Estate

For today’s post, we’re going to back to Middle Earth, more specifically the land inhabited by Hobits known as the Shire. No, not really. From architect Peter Vetsch comes the earth house, which is essentially built right into the earth. Peter explains that “compared to traditional residential houses built on the ground, the aim of building an earth house is not to live under or in the ground, but with it. If ground and house are separated, a house is built into the air, resulting in the loss of heat and humidity, and the exterior shell of a building loses lifespan. The earth-house concept uses the ground as an insulating blanket that efficiently protects it from rain, low temperatures, wind and natural abrasion. The earth house is a flexible construction which can be built according to the wishes of its owners, fulfilling the need for individuality, environmentally friendly construction and energy saving.”

Earth House Estate, Peter Vetsch, natural habitat, earth home, earth house, grass house, hobit house

Just make sure you don’t build your earth house near a flood plain, or coastal region, as I’m sure it could become the new submerged headquarters of Team Zissou. Back to Peter’s plan. “The structural engineering of an earth house provides for an organic design requiring spatial sense and creativity. Earth house architecture brings to mind habitable sculptures, incorporating artistic claim and sculptural quality. Earth houses by Peter Vetsch are based on the interpretation of an environmentally conscious, ecological and progressive architecture. They stand out due to their closeness to nature and allow an experience beyond the usual four walls and their right angles. The earth house concept uses its surroundings as an advantage – the surroundings are not adapted to the building, the house is shaped in order to preserve the natural environment.”

Earth House Estate, Peter Vetsch, natural habitat, earth home, earth house, grass house, hobit house

Return to the Coca-Cola Happiness Factory

In 2006, Coca-Cola released the “Happiness Factory” commercial to illustrate the brand’s new pitch, “The Coke Side Of Life”. The 60-second spot starts with a young man throwing a coin into a vending machine. Unbeknown to him, the ordinary coin transports the viewer into a psychedelic fantasy land full of animated characters. The coin plunges down a waterfall, which is the cue for a squadron of helicopter pigs to hoist and empty Coke bottle to a towering filling station. A blue soldier with a gold tooth attaches the cap, and the bottle is kissed farewell by fluffy “love puppies”. The process of chilling the bottle involves blasting a snowman with a fan as it passes by. When the bottle arrives at the delivery bay, the characters greet it with a carnival, firing themselves from canons with joy. Then the bottle rolls out into the real world. In the final scene, the young man takes his Coke from the slot. As he leaves, he turns briefly back to look at the machine. Did he hear a faint music? Maybe not – he shrugs and goes on his way.

Coca-Cola, Happiness Factory Coke, Coca-Cola commercial, Coke commercial, Hunter Hindman, Wieden, Kennedy, Cannes, Grand Prix Gold Prize

Katie Bayne, Senior Vice-President for Coca-Cola brands in North America says that: “it was important for us to re-establish why you love Coca-Cola….We started to focus on the glass bottle and the idea that Coke is about happiness in and around the bottle.” Hunter Hindman, Wieden+Kennedy Art Director adds: “We liked the idea of a coin taking you into a fantasy land full of wondrous characters and spectacular landscapes. The vending machine literally delivers happiness in a bottle”. This campaign has gone onto win numerous awards, including a “Silver Lion” at the 2007 Cannes advertising awards, the “Grand Prix Gold Prize” at the 2006 Epica Awards and most recently a nomination for a prime time commercial “Emmy” in the United States. Building on the success of the original, a new “Happiness Factory” commercial is an epic take on the original commercial, that is just as stunning, and even more lovable than it’s predecessor.

Coca-Cola, Happiness Factory Coke, Coca-Cola commercial, Coke commercial, Hunter Hindman, Wieden, Kennedy, Cannes, Grand Prix Gold Prize

The Cloud

From the MIT Mobile Experience Lab, the cloud is an organic sculptural landmark that responds to human interaction and expresses context awareness using hundreds of sensors and over 15,000 individually addressable optical fibres. Constructed of carbon glass, spanning over four meters, and containing more than 65 km’s of fibre optics, the cloud encourages visitors to touch and interact with information in new ways, manifesting emotions and behaviour through sound and a dichotomy of luminescence and darkness. Located in downtown Florence outside the Fortaleza da basso. the cloud is part of the ‘redesigning fashion trade shows’ project that pitti imagine launched with MIT mobile experience lab in 2007. It is a long-term project that will creatively rethink the trade show concept and will propose innovative technologies, perspectives and sensory experiences for fashion trade shows.

The Cloud, MIT Mobile Experience Lab, Fortaleza da basso

The shape of the cloud originates from a plastic movement in space that is frozen in time, a still image capturing an instant of a volume in motion. the cloud’s form is continuous and soft, its curvaceous, seductive and yet intriguing. It was designed to be seen both from inside and outside, so it turns on itself revealing a convex curved surface to the exterior while embracing the interior space of the pavilion with its internal concave shape. The cutting edge design techniques used in our process allowed defining continuous curved surfaces, which respond to varying modelling forces, which result in the final gesture of the cloud, as a liquid mass emerging from the ground and free-floating in space. The surface treatment is of a highly polished gloss, as the cloud displays at the same time that it reflects its environment, it becomes a witness of the space and it inhabitants. The cloud reflects its surroundings as it reacts to it.

The Cloud, MIT Mobile Experience Lab, Fortaleza da basso

No Man’s Land

In the Dead Sea region, control of water is a source of political friction and presents an ecological quandary that threatens the drinking supply for inhabitants. A research project from New York-based architect Phu Hoang Office seeks to address and solve these site specific issues with No Man’s Land, a series of artificial islands that would provide recreation, tourist attractions, renewable energy, and create fresh water.

No Man's Land, Phu Hoang Office, Dead Sea, Architectural Association's Environmental Tectonics, environmental problems, humanitarian problems

The project was shortlisted in the Architectural Association’s Environmental Tectonics 2007 competition for its innovative approach to a complex issue. Showing how architecture can be part of multi-disciplinary solutions, No Man’s Land tackles the environmental, political and humanitarian problems related to the procurement of fresh water for the region.

No Man's Land, Phu Hoang Office, Dead Sea, Architectural Association's Environmental Tectonics, environmental problems, humanitarian problems

As a network of built islands with three distinct designs, No Man’s Land would create an artificial archipaelago that employs a variety of building technology. In order to become a source of fresh water, the islands will extract water molecules from the air to be desalinated. Salinity gradient solar ponds, water purification tanks, and water filtering processes will all be integrated into the designated “water islands” of the chain. The other two island designs will be for tourists and solar energy production, providing self sufficient power as well as creating revenue.

Goro Fujita

Warren Manser, Goro Fujita, James Clyne, Alex McDowell, movie concept art, movie art, concept art

I often envy the amazing futuristic concept artists who boldly create new realities for all the world to criticize and deconstruct. From Warren Manser (A.I., Spider-Man, Army Of Darkness, Serenity, Speed Racer) to Alex McDowell (Minority Report, Watchmen) and our personal favorite, James Clyne (A.I., Minority Report, Galaxy Quest, X-Men 3, Titan A.E., The Fountain, Transformers, Star Trek, Avatar, Battle Angel), they’ve offered many realistic versions of what the future may have in store for mankind. Enter a new futuristic artist that caught my eye, Goro Fujita, whose work is not entirely realistic, but ultimately it generates an emotional response from the audience. In that respect, his work evokes a sense of life in the cold metal of his robots, and rabbit-bots, by putting them in realistic surroundings.

Warren Manser, Goro Fujita, James Clyne, Alex McDowell, movie concept art, movie art, concept art

His version of what the future may hold is less sleek than others, as his box-like forms do not seem as graceful as their rounded counterparts. Nevertheless, the way in which his creations interact with the environment is paramount to appreciating their liveliness. The dog-bot is a great example, as it looks rather ridiculous by our standards, however it manages to captivate a puppy in the scene depicted. The gardnening and cook robots also show a certain level of compassion through their interaction with non-Cylons. Fujita has a truly unique vision that sets him apart from all the rest.

Warren Manser, Goro Fujita, James Clyne, Alex McDowell, movie concept art, movie art, concept art

SustainabiliTee

We’ve mentioned ethical apparel peddlers American Apparel in the past, and the host of other creative collectives out there coming out with t-shirts slathered in eco-friendly slogans, but here’s one with a different story. SustainabiliTee, aka The Green Tee, was developed by a 26 year old woman named Emily who needs some funds for her independent film. For a few years now, she’s been directing a non-profit called StartMotions, an eco-conscious animation studio. Last Fall, Emily began SustainabiliTee using nature inspired designs and the comfiest, greenest tee shirts around. SustainabiliTee is helping to save the world “one tee at a time”. With fabric options ranging from “buttery-soft cotton” to bamboo and eco-heather, these feel good shirts will feel good on your body.

SustainabiliTee, StartMotions, Emily, sustainable t-shirt, eco-friendly clothing, sustainable clothing

According to SustainabiliTee, “the action of a consumer buying one earth-friendly item reduces the amount of pesticides, chemicals, pollution and toxins put in our homes”. Each shirt is adorned with the trademark mini-green tee on the back, while the front of each shirt displays an awesome eco-conscious slogan. A few of our favorites include: fake bacon is awesome, my osprey could whip your F-16′s butt, and avoid styrofoam like the plague. Whether you’re a fan of the slogans, love the eco-friendly materials, or simply want to help out Emily, place your order today.

SustainabiliTee, StartMotions, Emily, sustainable t-shirt, eco-friendly clothing, sustainable clothing

Hungry Planet: What The World Eats

How many times have you changed the channel during one of those “Save the Children” telethons because the imagery was too harsh? Or, how many times have you been grossed out by some seemingly strange food in the international section of your grocery store? Both of these memories flooded over me when I came across Hungry Planet, What the World Eats, a photographic series by Peter Menzel. This latest book details the weekly food purchases of families around the world. The centerpiece of each chapter is a portrait of an entire family surrounded by a week’s worth of groceries accompanied by interviews and detailed grocery lists. It is a very real and somewhat disturbing glimpse into the global food problem.

Hungry Planet, What The World Eats, grocery list by country, national grocery list, food consumption, global food consumption, national food consumption, cultural food preferences, photography

Here’s a few examples of the countries and families Menzel explored. In Ecuador, the Ayme family of Tingo spends $31.55 on groceries per week, while their favorite recipe is potato soup with cabbage. Spending $155.06 per week, the Dong family of Beijing, China, enjoys fried shredded pork with sweet and sour sauce. In Germany, the Melander family of Bargteheide spends $500.07 per week, while their favorite foods include fried potatoes with onions, bacon & herring, fried noodles with eggs & cheese, pizza, and vanilla pudding. In Kuwait the Al Haggan family of Kuwait City spends $221.45 per week, while they enjoy chicken biryani with basmati rice. Last but not least are those who spend the least, a whopping $1.23 per week. The Aboubakar family of the Breidjing Camp in Chad enjoys the infrequent treat of soup with fresh sheep meat.

Hungry Planet, What The World Eats, grocery list by country, national grocery list, food consumption, global food consumption, national food consumption, cultural food preferences, photography

Vivaldi Tower

Foster + Partners is back, not that they ever left, with a the new headquarters for Ernst & Young at the gateway to the Vivaldi-park area of the new Zuidas district, south of Amsterdam. Commissioned by ING, the tower establishes a landmark on the route into the city with its diagrid façade. Ten per cent more efficient than the target Dutch environmental standards, the building also extends the public realm with a water court at its base. The 24-storey building is divided into two twelve metre-wide column free towers with open, flexible floor plates. The blocks are staggered in plan to admit as much natural light as possible and to make the most of the northerly city views. The northern façade is fully glazed, while partial thirty per cent glazing to the east, west and south limits solar gain. Combined with ground water storage to further save on energy for cooling, the overall environmental strategy is highly efficient.

Vivaldi Tower, Foster + Partners, Vivaldi park, Zuidas, Amsterdam, ING, Ernst & Young

Linked by a shared transparent core, the offices are serviced by double-height meeting spaces and light-filled social spaces allowing communication between different floors. The structural steel diagrid is clad in silver aluminum and is offset by opaque black panels, which reduce the definition of the individual floor levels. This lattice scales the entire 87-metre high facade and gives the building its identity. At the base of the building the height of the diagrid creates a triple-storey lobby space, while at the top of each tower north and south-facing terraces are set into the structure. The towers are approached via a water-court with an ecological pond beneath an overhanging canopy. Defining the relationship between public and private, this space houses the social functions, such as staff restaurant, terrace, auditorium and bar, clustered around the water-court. Coupled with a green roof on the restaurant building, the pond has an important environmental contribution. 65 per cent of rainwater is retained on site while the run-off feeds into the Amsterdam canal system to control water levels following peak rainfall. The pond is naturally cleansed by a planted biotope of reeds, water grasses.

Vivaldi Tower, Foster + Partners, Vivaldi park, Zuidas, Amsterdam, ING, Ernst & Young

Helmut Smits

Helmut Smits is a dutch artist based in Rotterdam who produces sculptures and public installations while also designing products and furniture. His work is highly creative, abstract, social and by times controversial. In 2004, Smits created “Photo Tip” which depicts a terrorist organization reading a ransom note for a kidnapped foreigner. Regarding this piece, Smits states: “Don’t get me wrong. I find it horrifying that people get taken hostage. I was asked to make an installation at an old fortress from the first World War (also used in the 2nd WW). At that time a lot of people got taken hostage in Iraq and the news was covering this all the time so we got familiar with these images. During the exhibition I found out that some hostages broadcasted by the media were not real and had been put together. The work is more about the role of the media these days and of what gets to us through them, the changing line between fact and reality. Also the fact that you have these photo-tip signs (Kodak moments) in amusement parks to put your photocamera on so you don’t even have to think about what sort/angle of photo you have to make. Something I find absurd. I want to stimulate people to think for themselves and question the things happening around them and in the world.”

Helmut Smits, Photo Tip, photographer, photo, installation

His Football Stadium was also another piece that garnered a lot of attention. Crafted from fruit crates, wood and halogen lights, fruit serves as the spectator in an arena where apple does battle with orange. The giant blue screen provides an artificial natural background for taking pictures against in an urban setting. Although not pictured here, our other favorite creation by Smits is “The Real Thing“, which he describes as: “an installation that filters Coca-Cola into clean drinking water. It’s a concept-piece. Coca-Cola is claiming to be The Real Thing, while water is the source of all life and the main ingredient for producing Coca-Cola. It’s about the fact that in some counties it’s easier to get a bottle of Coke than it is to get clean drinking water. For example in India where locals who live round the Coca-Cola factories don’t have access to clean drinking water anymore because of the large quantities of water that the Coca-Cola factories need to produce Coca-Cola.”

Helmut Smits, Photo Tip, photographer, photo, installation