Always a treat to discover a new artiste, especially one who is original. You’ve probably read those exact words here before, so they’re anything but original, but would you want it any other way. Repetition is lame, and thankfully Esther Stocker is far from it. Regarding her work, and space as a medium, Esther says: “It is ironic, as the ‘fact’ of space somehow enters the work unasked. All I ever wanted to know is how a relation functions. What one thing is doing next to another, why we can differentiate things or why we want to differentiate things. Even if we cannot describe the point where one thing becomes another, we seem to somehow know that it happens. That fascinates me.”

The work we’re featuring is pretty monochromatic, and that said, Esther is a huge fan of black and white. She explains this preference, as: “the highest differentiation that I can build up in a relation – something you can easily distinguish on a formal level; something that at first sight seems like a clear thing to distinguish, where you immediately know what one thing is compared to the other. The fuzziness is still there, just lying within how the things are positioned or what they do. If they slightly disappoint your expectations, you might loose your orientation. It is about doubting our sense of control.” I had no idea black and white could mean so much, but I get it, and I dig her work.






















































